Bringing passion and emotion to every performance.
Upcoming Events
A selection of upcoming performances and engagements. More to be announced throughout the year.
Eugene Onegin — Opera
Royal Northern College of Music — 13, 15, 16 & 19 December 2026
A fully staged production of Tchaikovsky’s Eugene Onegin with the Royal Northern College of Music. Performing as part of the ensemble in one of the conservatoire’s major operatic productions.
Education
Royal Northern College of Music (RNCM)
BMus (Hons) Vocal Studies & Opera 2023 – 2027
- Principal Study: Vocal Studies & Opera
- Principal Study Teacher: Quentin Hayes
- Training in classical vocal technique, operatic performance and stagecraft
- Individual and ensemble performance across opera, oratorio and art song repertoire
- Regular performance experience in recitals, concerts and staged productions
Sydney Conservatorium of Music (SCM)
Study Abroad Programme 2025 – 2026
- One-year international study programme undertaken through RNCM
- Advanced vocal performance and repertoire studies
- Principal Study Teacher: Simon Lobelson
- Collaborative Piano: Eun-Jung Byun
- Solo recital and ensemble performance
- Repertoire development across opera, art song and vocal performance
- Collaborative work with international musicians and performers
Awards and Achievements
K-Gagok Superstar — 2025 / 2026
Selected as a Quarter-Finalist and subsequently Semi-Finalist in the K-Gagok Superstar competition, an international competition celebrating Korean art song.
ABRSM Singing Diploma — 2023
Awarded the ABRSM Singing Diploma following the successful completion of the examination.
Mullock Scholarship — 2021
Awarded the Mullock Scholarship for musicians at Ellesmere College, Shropshire, in recognition of musical ability and potential.
And hopefully, this list will become increasingly difficult to keep up to date!
Australia
In 2025–26, I spent a year studying abroad at the Sydney Conservatorium of Music (SCM), following a successful audition for the RNCM’s study abroad programme. The opportunity allowed me to experience a different musical and cultural environment while developing my work as a singer.
During my time in Sydney, I studied with Simon Lobelson and worked closely with pianist Eun-Jung Byun. A particular focus of my year was the study of Korean Art Song, allowing me to explore a repertoire and musical tradition that has become an increasingly important part of my artistic interests.
I wanted my third-year recital to reflect the experience of living and studying in Australia, rather than simply presenting another recital programme. Alongside Korean repertoire, I included A Dream of Death by David Paterson, a work by an Aboriginal Australian composer, connecting the programme with the culture and musical heritage I encountered during my time there.
At the heart of the recital was 십자가 (The Cross) by Jung YoungJu, my favourite Korean Art Song. Its exploration of responsibility, duty and sacrifice provided a deeply personal contrast to the Australian repertoire, bringing together two cultures that had shaped my musical journey during the year.
